Friday, 3 December 2010
Friday flex
Well, I've got my fingers crossed that I'm going to be able to make it down to Reset! & Ado tonight but the snow is falling rather rapidly now. Mind you, it's Friday night, I've been stuck inside all week and I'm desperate for a booze, I'll get there by dog pulled sled if I have to.
LOCAL HERO:
So it's time to dish out this week's Local Hero award, and with Heartbeats 2: Change Your Tune getting a release next week it seems appropriate that we should have yet another cut from the album steal the spotlight. This time Itch! resident and super-talented dub technician Mia Dora goes in on Megamegaman's quite unpronounceable 'Tywyllfyd'. With dark, menacing undercurrents complimented by trance inspired stabs it's a song of beautiful contrast. Look out for a full feature on the new Heartbeats compilation next week....
Megamegaman - Tywyllfyd (Mia Dora Remix)
We blogged our next tune way back in July, but with an official release this week on Beatport it felt right to give it some extra exposure. Here Dirty Basement slap MC Freeflow with a pulsating bassline and an addictive piano loop, ultimately delivering the dancefloor satisfaction Freeflow promises throughout. No nonsense, peak time devastation. Trust. Also, look out for Dirty Basement's new track 'So Cruel' with Baby Taylor...it's MASSIVE
MC Freeflow - Dancing Shoes (Dirty Basement Remix)
If you were lucky enough to be at S-Type's EP launch at the Art School last night for Mixed Bizness then you might have heard this at some point. Recently signed to Phuturelabs, this Glasgow based hip hop, grime, anything-goes producer is definitely a name to watch in 2011. Here he provides the beats for Emilio Rojas with a track that lies somewhere between Dilated Peoples & Just Blaze. Download the track for free by following the link & check out S Type's EP (also free) below. Straight heat.
S-Type - Medusa EP
Emilio Rojas - So Alive (produced by S-Type)
Finally, Kid Robotik returns with more fire from his twisted dub machine. Taking a more relaxed approach then some of his recent productions 'Exit' announces itself like the calm before a terrible storm, eery, peaceful, but ultimately menacing. As the bassline drops, you find yourself gripped by the unveiling soundscape, a contrast of distant thunder and fading rainbows. Wow, what the hell am I talking about?
Kid Robotik - Exit
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